CCSMT8 Record audio material to meet creative requirements
Overview
This standard is about recording audio material to meet creative requirements. This is likely to be for music but could also apply to other audio sources. It is likely to be in a recording studio, programming suite, radio station or mixing studio but could also apply to other locations. It is likely to, but does not have to, involve multiple takes.
This involves checking the setup of recording equipment, communicating with performers, monitoring recordings and making adjustments, creating track sheets and labelling and saving files.
This standard is for recording engineers, sound engineers and programmers who record audio material to meet creative requirements.
Performance criteria
You must be able to:
recall programmes and any previously recorded content required for recordings
check that recording equipment is set up and working as required
check that recording equipment is adjusted for the environment where recording is taking place
make sure any performers have been briefed about what is required of them
make sure all sources are being recorded
monitor recording and make adjustments which improve quality
check recorded signal levels of audio material are within acceptable parameters
balance discrete recorded tracks to improve the clarity of all playback levels
operate machinery, menus and parameters in line with manufacturers’ instructions
resolve problems with equipment, the recording chain, performers and outputs that are within your levels of responsibility as they occur
refer any problems that you cannot resolve to appropriate people without delay
communicate with performers about progress at appropriate times
save and transfer recordings in their original state without degradation, timing issues or loss of quality
save and archive recordings and back up files in line with organisational data security procedures
create clear and detailed track sheets of recorded performances
label completed files in line with organisational procedures
follow health and safety principles of safe listening at all times
reset, shut down and tidy recording equipment when work is complete
Knowledge and understanding
You need to know and understand:
how to and recall materials from archive and restore saved recordings on a digital or analogue multi track recording device
how to connect and route instruments to digital or analogue recording systems via recording consoles or digital audio workstations (DAWs)
the recording chain and signal levels for audio signals
information about quality and creative requirements
the use of balancing of levels on recorded material
basic principles of recording consoles and how to operate them
the requirements of performers to hear themselves and how to achieve this
different approaches to take when recording music and dialogue
how to determine how experienced performers are in a studio environment
how and when to communicate with performers
the differences between outside broadcast, live sound and recording in a studio
the acoustic space and properties of the location and how to manage them
the importance of preserving original audio content
the differences between recording live content and when there are multiple takes
good practice in the operation of the recording process on digital or analogue recording devices
how to operate relevant machinery, menus and parameters to migrate and transfer audio location, import audio location and save audio files
the correct use of labelling systems, name management and title, and working tracks to be edited including SPARS
how to save recorded content and DAW files in their original state including use of BWAV, WAV, AIFF, (file formats) DVD, DVD RAM, Digital removable HD CADDY,TAPE, DAT, CD, External HD
how to archive recorded materials
health and safety principles of safe listening including safeguards against hearing loss
CCSMT8 Record audio material to meet creative requirements
Overview
This standard is about recording audio material to meet creative requirements. This is likely to be for music but could also apply to other audio sources. It is likely to be in a recording studio, programming suite, radio station or mixing studio but could also apply to other locations. It is likely to, but does not have to, involve multiple takes.
This involves checking the setup of recording equipment, communicating with performers, monitoring recordings and making adjustments, creating track sheets and labelling and saving files.
This standard is for recording engineers, sound engineers and programmers who record audio material to meet creative requirements.
Performance criteria
You must be able to:
Knowledge and understanding
You need to know and understand: